The story
Christie's notes that the titles undermine the images: a man addressing a woman is called Money, and a tender embrace is called The Lie. The set was Vallotton's portrait of bourgeois love as a power struggle.
Christie's notes that the titles undermine the images: a man addressing a woman is called Money, and a tender embrace is called The Lie. The set was Vallotton's portrait of bourgeois love as a power struggle.































